Laugh
Growing up, I was pretty intense. I took everything that I did way too seriously and viewed all decisions I made, including what I ate for lunch, as if my future depended on them. I remember a lot of angst and sadness throughout my adolescence; lots of crying and very little laughter.
All of that changed when I auditioned for, and then became, a Disneyland character.
It was a Sunday in April, 1984. I received a “call back” for the second day of auditions. Upon arrival, we immediately performed the simple dance combination from the day before, and the call-back group was whittled down from there. Given my dance skills, I don’t know how it was humanly possible for me to have made it past that point in the process, but there I was standing in a backstage warehouse, donning a Minnie Mouse head, shoes, gloves, shell and dress.
What an odd sensation to have that ten-pound fiberglass helmet resting on my shoulders! My hearing was muffled as if my ears were enclosed by padded earphones. The mouse head smelled like old, wet laundry that had been sitting in a washing machine for days. Minnie’s eyes were made of the same plastic material from which ski goggles were made. From those plastic ovals, which were about six inches away from my face, I could view 12 feet of outside world in any single direction. And turning my head in another direction required twisting my entire body from the torso.
I stood in costume for a few moments while I gained my bearings: the transformation was sudden and magical. There was no need for intense brooding or solemn nobility. Masquerading as Minnie Mouse gave me a sense of liberation. Though the mouse head rattled on my shoulders with every bouncy step I took, I felt light and carefree. In an instant I had forgotten about chemical weapons, sham American presidencies, and college entrance exams. Minnie Mouse had no concern for such deep and dark issues. Minnie was happiness and laughter. And so was I.
It didn’t take long for me to get used to the physical limitations of the costume and I was soon ready to spring and bound across the room. I could hardly suppress my giggles as the flirty little mouse I imagined Minnie to be grabbed Mickey’s hand, ready to leap and skip with her playmates. Little did I realize that Minnie’s head spanned approximately 4 feet from ear to ear, and as I moved to join the other character candidates in the center of the warehouse, my mouse ear caught Goofy and I was sent sailing backward, falling to the ground in my mouse head. I lied spread-eagle and face up on the ground, my body cradled by the fiberglass shell that rounded Minnie’s body. I tried to get up but the fiberglass shell simply rolled from side to side. My legs and arms waved in the air as I thrashed about. I could see myself flailing about like an oversized and overturned dung beetle. And I started to laugh. In a surreal out of body experience I saw myself as the panel of judges must have seen me: some nebbishy kid and her futile attempts to lift her shoulders inches from the ground and hoist herself back to her feet, only to be propelled down again by the sheer weight of her oversized head!
I was laughing uncontrollably and didn’t want to stop. The laughter that bounced and echoed in my fiberglass head was intoxicating and all I wanted to do was lie on the floor and let the unfettered freedom and happiness consume me.
The sight must have been hilarious, because pretty soon everyone in the room was laughing as well. One of the judges came over to help me up, and I was certain that he would also be escorting me out of the warehouse. But Jeff Duke had been laughing so hard that he was crying, and he must have thought that my tumble and subsequent performance was intentional. It wasn’t long after that when I was given a date and time to report for orientation.
I’ve had the honor and privilege recently to read about the audition experiences of other Disney characters and I realize that my story is fairly blasé’ in comparison. For many the audition was a lifelong achievement and ambition. For me it was just the first time I fell in costume.
But I look back on it as the day I learned to laugh.
All of that changed when I auditioned for, and then became, a Disneyland character.
It was a Sunday in April, 1984. I received a “call back” for the second day of auditions. Upon arrival, we immediately performed the simple dance combination from the day before, and the call-back group was whittled down from there. Given my dance skills, I don’t know how it was humanly possible for me to have made it past that point in the process, but there I was standing in a backstage warehouse, donning a Minnie Mouse head, shoes, gloves, shell and dress.
What an odd sensation to have that ten-pound fiberglass helmet resting on my shoulders! My hearing was muffled as if my ears were enclosed by padded earphones. The mouse head smelled like old, wet laundry that had been sitting in a washing machine for days. Minnie’s eyes were made of the same plastic material from which ski goggles were made. From those plastic ovals, which were about six inches away from my face, I could view 12 feet of outside world in any single direction. And turning my head in another direction required twisting my entire body from the torso.
I stood in costume for a few moments while I gained my bearings: the transformation was sudden and magical. There was no need for intense brooding or solemn nobility. Masquerading as Minnie Mouse gave me a sense of liberation. Though the mouse head rattled on my shoulders with every bouncy step I took, I felt light and carefree. In an instant I had forgotten about chemical weapons, sham American presidencies, and college entrance exams. Minnie Mouse had no concern for such deep and dark issues. Minnie was happiness and laughter. And so was I.
It didn’t take long for me to get used to the physical limitations of the costume and I was soon ready to spring and bound across the room. I could hardly suppress my giggles as the flirty little mouse I imagined Minnie to be grabbed Mickey’s hand, ready to leap and skip with her playmates. Little did I realize that Minnie’s head spanned approximately 4 feet from ear to ear, and as I moved to join the other character candidates in the center of the warehouse, my mouse ear caught Goofy and I was sent sailing backward, falling to the ground in my mouse head. I lied spread-eagle and face up on the ground, my body cradled by the fiberglass shell that rounded Minnie’s body. I tried to get up but the fiberglass shell simply rolled from side to side. My legs and arms waved in the air as I thrashed about. I could see myself flailing about like an oversized and overturned dung beetle. And I started to laugh. In a surreal out of body experience I saw myself as the panel of judges must have seen me: some nebbishy kid and her futile attempts to lift her shoulders inches from the ground and hoist herself back to her feet, only to be propelled down again by the sheer weight of her oversized head!
I was laughing uncontrollably and didn’t want to stop. The laughter that bounced and echoed in my fiberglass head was intoxicating and all I wanted to do was lie on the floor and let the unfettered freedom and happiness consume me.
The sight must have been hilarious, because pretty soon everyone in the room was laughing as well. One of the judges came over to help me up, and I was certain that he would also be escorting me out of the warehouse. But Jeff Duke had been laughing so hard that he was crying, and he must have thought that my tumble and subsequent performance was intentional. It wasn’t long after that when I was given a date and time to report for orientation.
I’ve had the honor and privilege recently to read about the audition experiences of other Disney characters and I realize that my story is fairly blasé’ in comparison. For many the audition was a lifelong achievement and ambition. For me it was just the first time I fell in costume.
But I look back on it as the day I learned to laugh.